By Charles Cisante Dzimwasha
The rap rivalry between Stunner and Maskiri has been a cornerstone of Zimbabwe’s music scene for years. Despite the ongoing debate, the question of who truly reigns as the king of rap between these two talented artists remains unanswered.
Both Stunner and Maskiri are lyrically gifted, hailing from the ghetto—Stunner from Glen Norah and Maskiri from Chitungwiza. Their distinct styles highlight their unique contributions to Zimbabwean hip-hop. Stunner’s swagger-filled rap can be likened to the smooth, flashy style of Rick Ross, while Maskiri’s hardcore, narrative-driven approach draws comparisons to Eminem.
Stunner’s image is marked by his impeccable fashion sense and suave demeanor, setting him a step ahead in terms of style. Conversely, Maskiri, though not lacking in style, excels in his ability to craft vivid stories within his songs. Where Stunner shines as a polished performer and song rapper, Maskiri captivates listeners with his raw, unfiltered lyrical prowess.
The competition between these two artists is a microcosm of a larger issue within Zimbabwean culture. Often, the need to rank and compare talent overshadows the appreciation of individual artistry. This is a remnant of an education system that emphasizes ranking students by numbers, fostering a competitive rather than collaborative spirit.
The tension between their respective fan bases, the “Tateguru” clan for Maskiri and the “Mashark” clan for Stunner, has further fueled their rivalry. This discord has kept them from collaborating, despite opportunities such as the recent Urban Grooves tour. Maskiri’s remarks on Power FM about Stunner’s past as a dancer and their disagreements over logistical issues for a UK tour exemplify the strain between them.
Stunner, in response, questioned Maskiri’s contributions compared to his own, emphasizing his role in shaping the Urban Grooves movement. This back-and-forth highlights their distinct paths and accomplishments within the industry.
In conclusion, Stunner and Maskiri represent different facets of Zimbabwean hip-hop. Stunner, with his flair for fashion and polished performance, offers a blend of music and style. Maskiri, with his gritty storytelling and lyrical depth, appeals to those who crave hard-hitting bars. Rather than choosing a definitive number one, perhaps it’s time for Zimbabweans to celebrate the diverse talents both artists bring to the table.